Earlier today, I went to see
The Avengers in theaters. You want a review? It was ridiculously entertaining. If you like superhero movies, you will like this movie. If you don't generally go for superhero movies, I cannot see this one converting you. So yes, I liked this movie and the probability I'll end up seeing it again at some point is probably 100% or something rather close to it. It doesn't really lend itself to any deeper analysis on its own, but it doesn't really need to, either. Sometimes, you just want some fun and
The Avengers provides this without being stupid about it.
Oh, and they finally made the Hulk interesting in a Marvel movie. I didn't think they'd ever pull that one off, but they did and thank goodness for it.
1To put it in shorter terms, if you're thinking about going to see
The Avengers, go see it. If you're not, don't. There are superhero flicks I'd recommend to people not usually into the genre (
Spider-Man,
Spider-Man 2,
Batman Begins and
The Dark Knight to name the ones that come immeidately to mind), but this ain't one.
2I generally try for slightly better analysis in my reviews, but honestly, I can't pull that off here. So instead, I'm going to talk about how
The Avengers ended up making me think about Thomas Kuhn, a guy I learned about back in either freshman or sophomore year of college. Kuhn's basic concept was that scientific knowledge is effectively a framework. This framework persists for several decades, but as people add to it, discrepancies and weaknesses in the framework show up. Eventually, someone realizes that the framework is crap and comes up with a new framework - the famous "paradigm shift." So, for example, physics famously underwent a paradigm shift from Aristotlean physics to Newtonian physics.
Kuhn did not apply the "paradigm shift" idea to other fields besides scientific progress, but the phenomenon
is observable elsewhere. Blockbuster films are one of those fields.
The idea of the blockbuster was really invented in 1975 with the release of
Jaws but was codified in 1977 with the release of
Star Wars. Without these two films, most of the films on the non-inflation adjusted list of highest grossing films would not have been made, the first clear exception being
Toy Story 3.
3 However, Hollywood traditional does go through phases of using different formulas for films - the cheese of Arnold in the 1980's gave way to the slightly different (and marginally more realistic) cheese of "Die Hard on an X" in the '90's, for example.
Thus, most films exist within a certain paradigm of filmmaking, and
The Avengers is no exception. The paradigm it follows is a movie I really didn't care for at all,
Transformers.
Prior to
Transformers, Michael Bay had directed six films:
Bad Boys,
The Rock,
Armageddon,
Pearl Harbor,
Bad Boys II and
The Island. Everyone knew the guy was all about special effects and that his movies tended to follow the formula of "not much happens for the first half hour, and then after that, there's a lot of largely incoherent mass destruction." The thing was that while Michael Bay's movies made money, they weren't what anyone would call important.
With
Transformers, people really started taking note. This isn't because he did anything particularly different with
Transformers, but rather, because of nostalgia for the old television show and the toys said television show existed to sell, more people than usual paid for tickets. But rather than studio execs saying "gee, we should make another stab at a live-action
Teenage Mutant Ninja Turtles flick" - which Michael Bay actually is going to be doing - or being even more shamelessly derivative with a live-action
Voltron flick, the general consensus was that it was Michael Bay's style that got people to the theater.
The result is that we're now living in what could be best described as the
Transformers age of blockbusters.
The Avengers is very much a product of this age. It is a far better movie than the progenitor of the age, but the whole time I was watching, all I could think was "this movie would be completely different if
Transformers had never existed."
Which, considering what
The Avengers is likely to do at the box office, means that if you wanted to call
Transformers the
Star Wars of the new millennium, you'd have a decent case.
Reading it over, this post came out a bit more disjointed than I would have liked, but I think there's enough of merit here to be worth posting.
Harold
1 All things considered, the Hulk, a scientist who transforms into a green monster when sufficiently angry, is one of those characters that should resonate with me, a nerdy guy who has had to deal with rage issues (which are now largely under control, but still frightening as all get out to me). The movies about the Hulk, however, have never gotten at the rage in a way that's felt real to me, though.
2 I would like to take this time to call out Slate's film reviewer, Dana Stevens, as a hack. After reading
her review of the film, I had no idea whatsoever what she thought of it, only that she thinks that there are too many superhero movies out there.
When your job is to tell me what the hell you thought of a specific entry in a genre and all you can tell me is that you don't much care for the genre, however, you have failed in your job. Miserably. And you haven't even tried to succeed. Making you a hack.
And yes, I realize that my review of the film was actually a low-quality review in and of itself. However, I've found that most of my readership tends to prefer it when I use a review as a springboard to another topic, which is not something one can really say about the readership of a film critic.
3 That said, without
Star Wars, Pixar never would have been able to pick up the capital from CG work in blockbusters to ultimately create
Toy Story. In other words, really, you have to get to #15,
The Lion King. Which is to say that if not for Walt Disney, Steven Spielberg and George Lucas, the top-grossing films list would look 100% different.
(If you start adjusting for inflation, then
Gone With the Wind is still the top grosser.)